Roxy Music - Ferry and Eno still vying for our attention

Bryan Ferry and Eno in 1972

As I head back to my second home, Hong Kong, for another of my quarterly visits, I recall that a few years ago I spotted a strange coincidence along one of the main roads in the central city.

Far removed from the leopardskin and bacofoil beginnings of Roxy Music in 1972, Bryan Ferry and Brian Eno were now advertising luxury brands. It seems their rivalry stretches down the years in mysterious ways.

Viewed from a passing taxi in the Central district of Hong Kong, there, on giant billboards were the two Roxy rivals vying for our attention as they have done ever since Roxy's breakthrough.

Bryan Ferry is a fan of the Mandarin Oriental, Hong Kong

Across the road from the hotel itself, Ferry is shown as a 'fan' of the Mandarin Oriental.

A matter of yards further along, Eno is seen beseeching us to consume Dunhill's wares.

In 1972, Roxy were a publicist's dream, with their exotic costumes, slicked-back hair and distinctive musical hybrid.

They played up to that other-worldliness to the extent I can vividly recall a Radio 1 'Newsbeat' report that the band's synth wizard Eno was actually from Mars.

And a few yards along the road, Brian Eno endorses Dunhill

Although by his own admission he was only semi-literate in a musical sense, Eno's flamboyant costumes were the focal point for the band. Look at any photo of them in their early days and Eno is at the forefront. The picture here of them on stage in 1972 shows how the audience's attention was drawn towards Eno.

It worked to their advantage when they were trying to establish themselves, but ultimately, it threatened to steal the spotlight away from Ferry, the band's undeniable leader since he wrote and sang all the songs.

In retrospect, given their phenomenal output, Eno's departure from Roxy was inevitable. It is arguable which of them has had the more lasting influence, and frankly it doesn't matter, they have both produced great work over a long and, certainly in Eno's case, varied career. Roxy Music couldn't hope to contain two such big musical egos, and over the years we have been fortunate to hear what each of them, unfettered by the other, has been able to produce.

In spite of his musical limitations, Eno must have added something to the Roxy sound, because those first two albums on which he appears have a distinctive vibe. And he proved his worth in his subsequent solo career, right from the off with his first album Here Come The Warm Jets and the hit single Seven Deadly Fins.

His early ambient records, the Berlin albums with David Bowie, the collaborations with Robert Fripp, David Byrne, Daniel Lanois and others are all major landmarks in recorded music.

Ferry has the edge in terms of being a traditional songwriter and live performer, as well as being the pioneer of a distinctive style with Roxy that was quite unique. He still tours and although I haven't seen him live since 2005, at that time he delivered a surprisingly rocking show, driven on by the ever-dependable Paul Thompson on drums (announced by Ferry in time-honoured fashion as 'the Great Paul Thompson') with a twin guitar line-up of Chris Spedding and Mick Green.

Lucy Wilkins on violin playing the Eddie Jobson solo from Out Of The Blue note for note. It was a fantastic gig, but the most remarkable thing about it was that Mick Green, the veteran guitarist from The Pirates, having just played a blistering solo, collapsed, just fell over, like a tall tree, guitar still strapped to him.

Everyone’s looking at Eno

At first we thought it must be a joke, but after a few moments, road crew appeared and a couple of doctors from the audience ran down to the front. Green had suffered a heart attack, from which he recovered (he died a couple of years later). Green was dragged off-stage and Ferry gave the scene a quick glance, but the show carried on without missing a beat. No mention was made of it. On with the show, eh?

So cast your mind back to that wonderful period in 1972 when Glam was the new sensation and Roxy appeared on Top Of The Pops. One of the most exciting TV music moments ever.

Virginia Plain - Top Of The Pops, 1972
http://www.youtube.com/watch?v=-gJIH6cOMPs

Re-Make Re-Model - Royal College of Art, 1972
http://www.youtube.com/watch?v=kWhzG9cQGgc

Ladytron - Old Grey Whistle Test, 1972
http://www.youtube.com/watch?v=44VEfWgbLSE&list=PL6C0142F66F552D65

Do The Strand - OGWT, 1972
http://www.youtube.com/watch?v=0YzB70L5g-4

Editions of You - Montreux, 1973
http://www.youtube.com/watch?v=sgHv9NCgyy0&list=PL6C0142F66F552D65

March 1978 - The Rutles Are Coming!

A postcard dropped on the doormat in March 1978, sent from the press office at Warner Brothers (WEA actually) where a mate of mine worked in the post room (my record collection has much to thank him for, but that's another story).

The postcard was heralding the television premiere on Easter Monday of All You Need Is Cash, the story of legendary British beat group The Rutles.

Note the postmark advert for Elvis Costello's second album

The Prefab Four, as they were known, were the brainchild of Monty Python's Eric Idle, with songs (not entirely) originally composed by Neil Innes of the Bonzo Dog Doo-Dah Band, who had collaborated on music for the Monty Python movies. His contribution to Holy Grail, for example, included the famous Tale of Sir Robin.

The Rutles' career arc was oddly familiar - from early days in Northwest England, to worldwide fame - Rutlemania! - the expansion of their musical horizon after consumption of exotic teas - and the embracing of eastern religion.

The TV special, shown at Easter time on BBC2 and on American TV the same week, included 
appearances by George Harrison, Mick and Bianca Jagger, Paul Simon, Dan Aykroyd, John Belushi, Bill Murray and Gilda Radner. 

The Saturday Night Live actors had become fans of the Rutles when Idle and Innes appeared on SNL in 1977, playing early versions of the songs that were originally created for Idle’s comedy sketch show Rutland Weekend Television.

For All You Need Is Cash, The Rutles characters, apart from Idle, were played by real-life musicians. 

Innes played singer and guitarist Ron Nasty, Idle was singer and bass player Dirk McQuickly.  

Ricky Fataar (a drummer in real life with the Beach Boys, among others) played guitarist Stig O'Hara. 

John Halsey (drummer in the band Patto, whose sessions include Lou Reed's Transformer album) played drummer Barrington Womble, otherwise known as Barry Wom.

Guitarist Ollie Halsall, also from the band Patto, who was one of the studio musicians on the Rutles recording sessions, appears in the Rutles film as Leppo, the fifth Rutle "a friend of Nasty's from art college, who mainly used to stand at the back".

The Pre-Fab Four became the most popular group in the whole world, loved for their cheeky banter as much as for their music.

 Here's the original trailer for The Rutles: All You Need Is Cash

Of course, The Rutles were a very closely observed pastiche of The Beatles. All You Need Is Cash is narrated by an earnest Alan Whicker-type documentary presenter and highlights the key moments of their career in the 1960s, familiar to anyone with a reasonable knowledge of The Fabs and with helpful commentary from Jagger and others:

Jagger: Why did the Rutles break up? Women. Just women. Getting in the way. Cherchez la femme, you know.
Narrator: Do you think they'll ever get back together again?
Jagger: I hope not.

The show features some wicked caricatures of Rutle associates, such as Gwen Taylor in a Nazi costume playing the Yoko-like Chastity.

While the Rutles film now looks rather quaint and of its time, the music composed by Neil Innes still has universal appeal, because it is so fiendishly close to the source material. 

The Rutles - Ouch!
The Rutles - With A Girl Like You
The Rutles - Get Up And Go

Too close for some: While George Harrison was happy to provide some funding for the project and to appear in the film, Paul and John didn't see the funny side of having their music facsimiled in this way.

The initial reaction to All You Need Is Cash from UK audiences was appreciative without being ecstatic. The Prefab Four's legend grew, though, with repeat TV showings. Perhaps it was a case, as had happened with The Beatles, that people needed to be told that this was actually a spoof.

And so, in May 1978, I received another postcard from WEA. The BBC were giving The Rutles another go, with a showing on BBC 1 at 10:15pm on May 27th.

The postcard featured the covers of various Rutles albums, With The Rutles, Tragical History Tour, Sgt. Rutters Only Darts Club Band and Let It Rot.

On the back of the postcard was a sample of "genuine Rutle trouser fabric", authenticated by the former Rutles manager, Leggy Mountbatten, now living in Australia.

Genuine Rutle trouser fabric

Archie Macaw, Record Producer: Well, one day this rather odd chap hopped into the office. He'd been to see virtually everyone in the business and been shown the door. He asked to see MY door, but I wouldn't show it to him. Instead, he showed me the photographs and tapes of the Rutles. They were pretty rough, but they had something.

Narrator: What was it?

Macaw: I think it was the trousers.

 
Following the release of The Rutles album in the 1978, ATV Music, the then-owner of the Beatles publishing rights, sued Innes for copyright infringement. Innes was always on a sticky wicket legally because The Rutles were unmistakeably a Beatles pastiche, however affectionate.

Lennon and McCartney both felt that, at least with some of the songs such as Get Up And Go, that Innes had sailed too close to the originals. He was forced to settle out of court for 50% of the royalties on the 14 songs included on the Rutles album.

In 2019 Neil Innes was still playing The Rutles' music live, but sadly he died suddenly on 30th December. He is being fondly remembered on social media for his work with The Bonzos on TV shows like Do Not Adjust Your Set and Rutland Weekend Television - even The Old Grey Whistle Test.  
Proof that his legend will live long after other living legends have died.

Neil Innes talks about Rutland Weekend Television and the genesis of The Rutles
https://www.youtube.com/watch?v=hxxyG9jJhm0

Ron Nasty and Barry Wom with The Rutles live in London, 2013
https://www.youtube.com/watch?v=EoOwx3j4b_I

See also on this site:

The Beatles escape the madness of the road to create Revolver

Sgt. Pepper Is The Beatles - Who Knew?

At Home With The Lennons, 1967

A Night With John Lennon - The Fab Faux at Radio City Music Hall