September 19th is officially designated as Frank Zappa Day in Baltimore,
the city where Frank grew up, before his family moved to the west coast
of the US and he eventually settled in Los Angeles. Two years ago, I
happened to be in Baltimore on business and as usual I checked to see
what was on while I was there. The announcement of a statue unveiling
grabbed my attention straight away:
"FREE Outdoor Festival and Tribute Concert Featuring DWEEZIL ZAPPA AND ZAPPA PLAYS ZAPPA.
On September 19th, the city of Baltimore will dedicate a monument to the memory and cultural impact of the legendary Frank Zappa".
"FREE Outdoor Festival and Tribute Concert Featuring DWEEZIL ZAPPA AND ZAPPA PLAYS ZAPPA.
On September 19th, the city of Baltimore will dedicate a monument to the memory and cultural impact of the legendary Frank Zappa".
To me, Frank Zappa is a complete one-off; a man whose unique musical vision was formed by early exposure to obscure and, to most ears, impenetrable sounds at the extremes of classical and jazz - with a garnish of doo-wop.
I'm pretty sure that from an early age he would have been
seen, and seen himself, as an outsider. His family lived in a series of small towns and this sense of cultural isolation contributed to his singular vision. He remained a maverick throughout his life, which is why I think he deserves greater
recognition for the enormous catalogue of music he created, even if I don't care for all of it.
He did what he did and some of it was
successful, artistically and commercially. Some of it was only
successful artistically and, yes, some of it was un-PC and of questionable taste. But musically, the proof of his worth as a
composer and his skills as a band leader are the sheer number of
virtuoso musicians who have come through his ranks. Only Miles Davis
could beat him in that regard.
Percussionist Ruth Underwood said of Frank, "there was always more music.." He never stopped working and writing out manuscripts for the band to work on. If you are a musician and you want a fuller appreciation of Frank's oeuvre, read 'The Real Frank Zappa Book', his autobiography. In it, he details the unusual inspiration he found in the music of modern classical composers such as Varese and Stravinsky and of the primitive early recordings he made with The Mothers.
Percussionist Ruth Underwood said of Frank, "there was always more music.." He never stopped working and writing out manuscripts for the band to work on. If you are a musician and you want a fuller appreciation of Frank's oeuvre, read 'The Real Frank Zappa Book', his autobiography. In it, he details the unusual inspiration he found in the music of modern classical composers such as Varese and Stravinsky and of the primitive early recordings he made with The Mothers.
Frank also writes about how the Mothers evolved their act, via a 6-month residency at the Garrick Club in New York's Greenwich Village. The book provides the context and a greater understanding of how Frank came to create those early Mothers records - the arrangements,
the little
filligree passages, the tape looping, the orchestral interludes. There is so
much in there.
Here is Ruth explaining the richness of her relationship with Frank:
So anyway, on that sunny Sunday afternoon in Baltimore, I grabbed a cab out to the Highlandtown suburb. My driver was a lovely Nigerian guy who played Fela Kuti and explained the stories behind each of the songs.
Highlandtown is an ordinary featureless suburb, but for this day at least it got a spruce-up. The sidewalk bushes had been fitted with larger than life dental floss containers. Pictures of FZ were hanging from all the lamp-posts, and best of all, the main street running through the town had been renamed 'Frank Zappa Way'.
The official bit was mercifully short. Gail Zappa, Frank's wife, made a speech reminding everyone that Frank had stated ‘if you want to get laid, go to college, but if you want an education, go to the library’. So it was fitting that his bust would be unveiled outside the community library in the place of his birth.
Gail, Ahmet, Dweezil, Diva - and Frank |
Baltimore's Mayor Stephanie Rawlings-Blake made the official proclamation, then invited Gail to unveil the statue topped by a bust of FZ. Curiously, the bronze bust was donated by artists from Vilnius, the capital of Lithuania, where apparently Zappa was a beacon of freedom of expression during the Soviet occupation.
Over by the denil floss bush |
The other members of the Zappa clan included daughter Diva and son Ahmet. All were openly moved by the honour and respect being shown to Frank. Then Dweezil and the band paid their own respects with a two hour set of Frank's music that ran as follows:
Stinkfoot / Florentine Pogen / Broken Hearts Are For Assholes / Easy Meat / Keep It Greasy / City Of Tiny Lights / Echidna's Arf For You / Don't Eat The Yellow Snow / Blessed Relief / Big Swifty / Apostrophe / RDNZL / I'm The Slime / Dinah Moe Humm
You want some more? Well here's some more.....The following clip starts with the unveiling of the statue and continues with highlights from the set by Zappa Plays Zappa
See also on this blog:
There's a lot to like in the 'Zappa' movie
Zappa's album One Size Fits All reviewed in 1975
Unveiling a Frank Zappa statue in Baltimore - Dweezil plays live, 2010
Frank Zappa and Lowell George together, 1969Spooky - Frank's ghost appears front centre |
If you want to see more from Zappa's early days, there is this Day In The Life clip available on Youtube
Steve Vai talks about the Zappa movie
Audio - The Mothers at The Garrick Theatre, New York, 1967
Mothers - Live at the Fillmore, San Francisco, 1970
Frank Zappa & The Mothers - Montana, Live at the Roxy, LA, 1973
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