Saturday, 3 March 2012

The musical headlines from 1970

A glance at the big stories during the year, from the pages of UK music weekly Melody Maker.

JANUARY 3, 1970 - Viv Stanshall announces that the Bonzo Dog Band are splitting up, Steve Ellis leaves The Love Affair and Ian McDonald and Mike Giles quit King Crimson.

The Moody Blues are tipped as the group of the 70s. Two Little Boys by Rolf Harris is the top single, with Sugar Sugar by the Archies at No.2.

The Who's Tommy is hailed as the pop album of 1969. Crosby, Stills, Nash & Young arrive in the UK for their first appearance, at the Royal Albert Hall. 

'Let It Be' is announced as the Beatles' next single.

JUNE 13 - In The  Summertime by Mungo Jerry storms up the charts.

The Who are announced for the bill at the Isle of Wight Festival. Here's a link to their performance at the festival, considered one of their best.

Bob Dylan's Self Portrait album is set for release.

Eric Clapton forms a new band with Bobby Whitlock, Jim Keltner and Carl Radle, that would go on to make the album Layla as Derek & The Dominoes.

Led Zeppelin say no to a $200,000 fee for two dates in the US, saying they are keeping faith with their booking at the Bath Festival on 28th June.

'Harrison in supersession' as Clapton, Ringo and Phil Spector gather for George's first solo album, All Things Must Pass.

JULY 4 - Jefferson Airplane have to cut short their set at the Bath Festival due to heavy rain, but promise to put on a free show in London to compensate their fans.

No such problems for Led Zeppelin, who play five encores to the 150,000 strong crowd.

Controversy over the inferior recording quality of the new Jimi Hendrix album Band of Gypsys.

Jimi's manager says the UK release was not taken from the original master tape.

You can read more about the background to the Band of Gypsys album here
AUGUST 1 - Aretha Franklin arrives for concerts at the Hammersmith Odeon.

Jethro Tull and Ten Years After are added to the Isle of Wight Festival bill.

Having been sacked by the BBC, DJ Kenny Everett gets widespread support, with one colleague describing him as "the Spike Milligan of our generation".

His Saturday morning show is taken over by 21 year old Noel Edmunds.

Emerson, Lake & Palmer record their first album.
SEPTEMBER 5 - Joni Mitchell gets credit for sticking it out after a stage invasion during her set at the IOW festival.

Neil Young had planned to appear as well but didn't like the festival vibe.

The IOW show is remarkable because it demonstrates not only Joni's qualities as a songwriter and performer, but her determination to win over a hostile crowd.

Joni was visibly upset by the bad vibes from a section of the crowd, some of whom just wanted to hear the rock bands. Then there were the freeloaders, who thought it was all too corporate and should be put on for nothing.

She toughs it out, enduring a stage invasion by one of the disgruntled hippies and telling the audience at one point that they were behaving like unruly tourists.

And when she could rightfully have fled the scene as it threatened to get out of hand, she stayed and won them over, even getting called back for an encore.

It remains a great shame that one of the greatest music festivals was marred by this conflict between promoters with a genuine love for the music and the high ideals of those who thought the promoters were selling out the free love, free everything culture of the late 1960s.

At the other end of the 1970s, Joni would collaborate with jazz legend Charles Mingus (confirmed in MM this week for his first dates in Britain).

That would have been unthinkable at this point in her career, but as we now know, Joni's music took a more jazzy direction in the late 1970s.

Also in this edition of Melody Maker, Jimi Hendrix on his new band, which was sadly not to be, as he died in London on September 18th. His former manager Chas Chandler talked subsequently about how Jimi had come back to the UK seeking to pick up the pieces of his career, which had become increasingly directionless. Chandler had planned to meet up with Hendrix the following week to map out a plan.

 
OCTOBER 10 - Three weeks after Jimi' death, Janis Joplin becomes the latest victim of the rock and roll lifestyle.

The BBC refuses to show what it considers an inferior performance by Bob Dylan on the Johnny Cash Show. This was the legendary performance where Cash and Dylan performed Girl From The North Country.

It was Dylan's first TV appearance since his brief withdrawal from the music scene following a motorcycle accident. He had holed up in Woodstock with wife sara and their young children.

Freda Payne is at No. 1 in the singles chart with Band of Gold, about to be overtaken by Deep Purple's Black Night.

Melody Maker's Chris Welch says the new Led Zeppelin (III) album "spans as many moods as a widescreen epic". Meanwhile Deep Purple's Ian Gillan plays the son of God in 'Jesus Christ - Superstar'.
NOVEMBER 7 - The success of Woodstock by Matthews Southern Comfort boosts the group's stock.

Mick Jagger says he won't be promoting the single Memo from Turner from the film Performance. The song features Ry Cooder on guitar.

Drummer Buddy Rich lays into rock musicians, avant-garde jazzers and the forthcoming drum dual between Ginger Baker and Elvin Jones.

"Guitar smashing Ritchie Blackmore" is pictured in a report saying Deep Purple have cancelled their French tour because of worries there might be another incident of fans dying in a blazing dance hall. This was way before the incident that inspired Smoke On The Water.

Sunday, 5 February 2012

Headlines and charts from Melody Maker, May 1971

It's May 1971, Andy Williams is top of the album charts and the front page of the MM announces that the legendary Fillmore rock venues in San Francisco and New York are to close.

Promoter Bill Graham says he refuses to pay the increasingly high prices being charged by the top groups for what he sees as a decline in the quality of the music.

The front page on May 8 1971 also has details of a European tour by Rod Stewart & The Faces, including an appearance at the Crystal Palace Garden Party in August.

In the 'Pop 30', Double Barrel by Dave and Ansil Collins retains the top spot but Tony Orlando and Dawn are knocking at the door (or is it the ceiling?).

The Stones are at 3 with Brown Sugar, while T. Rex's first big hit has peaked. There's some classic singles in there, and this being the singles chart, some odd ones too. The album chart is quite impressive for the sheer number of classic rock albums in the list.

American soul artists did very well in the singles charts throughout the late 60s and early 70s, including these gems from this week in 1971.



The Fantastics – SomethingOld, Something New

What's interesting at this time is how different the British albums charts are from the US charts. Bands like Three Dog Night, Grand Funk, Chicago, Brewer & Shipley didn't make any impression in the UK.


Good to see The Yes Album, my favourite of theirs, riding high in the UK album charts, alongside Jethro Tull's Aqualung.  

Elton John was making his first breakthrough in the UK at this time (on the back of Your Song) with three albums in the British charts.

Interesting, then, that on page 8 (below) in MM's news from America, it says that Elton is struggling to sell tickets. "Elton is dead in New York," says an unnamed observer.

Page 8 of Melody Maker starts by noting the popularity of the all-girl band Fanny and the news that a film about Jimi Hendrix, called Rainbow Bridge is about to be released. Further down the page , there's a report about The Doors having abandoned all future plans to tour. The report says, "Jim Morrison can be reached right now somewhere in France."  And sadly for Jim, he died there two months later.

Here's a couple of gig reviews from this week


In the letters page, the jury is still out on whether Led Zeppelin's new acoustic direction (on LZ III) is going down well with the fans. "Please leave the gentle songs to people like The Strawbs," says one. Further down, Stevie Wonder is referred to as an "abominable popcorn merchant". On the left of the page, John Peel gets a kicking for his criticism of Deep Purple. The letter says, "By dismissing groups like Deep Purple, ELP and more recently CSN&Y and at the same time applauding musical dullards like Medicine Head, Bridget St. John, Ron Geesin, Brinsley Schwartz etc, John Peel is influencing the hard-core of his non-musical followers with his worthless opinions."

Friday, 3 February 2012

A Night With John Lennon - The Fab Faux at Radio City Music Hall

In 2010, while on a business trip to New York, I witnessed a unique show in celebration of John Lennon's life and music. It was billed as ‘The Fab Faux present A Night In The Life’. If you have heard them at all, you will know the Fab Faux, led by bassist Will Lee, recreate the Beatles songs extremely faithfully.

I had seen the show advertised on the web, when I did my usual pre-trip check of what's on. This is the same trip where I saw the open-air show by Zappa Plays Zappa at the unveiling of an FZ statue In Baltimore. 

For the Lennon show, the added attraction was the venue, Radio City Music Hall, a marvellous art deco theatre in midtown Manhattan.

The show started boldly with the song that signalled a new psychedelic direction for The Beatles - the last track on Revolver, 'Tomorrow Never Knows'. The Fab Faux successfully recreated the tape effects and vocal distortions (using a megaphone) of the original. 
 
Their attention to detail is legendary. The resonating guitar intro to 'I Feel Fine' was perfectly executed. Flutes were present and correct at the end of 'You’ve Got To Hide Your Love Away'.

Equally impressive was their ability to convey an intensity to match Lennon’s original performances. In particular, drummer Rich Pagano did a convincing job on the ‘Mama don’t go, Daddy come home’ section of 'Mother'.
Augmented by the Hogshead Horns and the Crème Tangerine strings, the Fabs got the measure of the psychedelic (trippy strings on 'I Am The Walrus') and the abstract (Happiness Is A Warm Gun). 
 
The Nutopia Choir added gorgeous backing to 'Across The Universe' and an immaculate 'Instant Karma'. The show reached a final crescendo with 'Revolution' followed by A 'Day In The Life'.

It was a remarkable tribute, capturing the spirit of each distinctive period of Lennon's musical life. Everyone knows this music intimately, so it's a brave group that will try to recreate it. The Fab Faux do a fantastic job. If you ever get the chance, go and see them perform. 

Had he lived it's quite possible John may not have attained such musical heights as he did in the 1960s and 70s. But I think he would have been a force for positive change in other ways. In any case, it was emotional, to see these classic songs brought to life and to be reminded that their creator was such an amazing and unique talent. 

Here is the complete set list:

Tomorrow Never Knows  /   Whatever gets you through the night  /  Nowhere Man
Across The Universe  /   I’m A Loser  /  Come Together  /  Norwegian Wood  / I Feel Fine
You’ve Got To Hide Your Love Away  /  Watching The Wheels   /   Strawberry Fields Forever  /   
No Reply  /  Happiness Is A Warm Gun  /  Rain  /  Cold Turkey  / I Want You (She’s So Heavy)

Interlude: The (original) Quarrymen: Maggie Mae

Working Class Hero   /  Mother /  Power To The People   /   Instant Karma   /   Because
Being For the Benefit of Mr. Kite  /  Help!  /   Lucy in the Sky with Diamonds   /  Jealous Guy   /    
Mind Games  /  I Am The Walrus  / Yer Blues /   In My Life  /  Imagine  / Revolution  /   A Day In The Life

Encore: All You Need Is Love  /  Give Peace A Chance
 



 In Central Park West, across the road from the Dakota Building, is a small area dedicated to John, Strawberry Fields.
Also on this blog:


Saturday, 28 January 2012

Where to buy vinyl records

Note: I update this from time to time, but best to check the store is still there before you set out. 

On my travels, I am always searching for places to buy good quality records. Of course there are second hand record shops all over the place, but here's a list of physical vinyl stores I have visited in the UK, the US, Hong Kong, Japan, Australia and New Zealand. Most of these stores sell new and second hand pressings. Happy hunting!

LONDON
Flashback - 50 Essex Road, London, N1 8LR. A five minute walk from Angel tube station
The basement of the store is all vinyl and they have a really good and varied selection, and not over-priced like the Soho stores tend to be. Well worth a visit.

Out on the Floor - 10 Inverness Street, London, NW1 7HJ. Close to Camden Town tube station.  This three-level, three-shop operation has a good selection of 60s and 70s rock, folk and soul. 
  
Sister Ray - Berwick Street, London, W1. Oxford Circus or Piccadilly Circus tubes.
Along this one stretch in Soho, you have two choices. Sister Ray has good quality vinyl and plenty of collectibles (but very pricey) and a few doors down there is Revival Records with a good stock of rock, soul and jazz vinyl. 


Record & Tape Exchange - Notting Hill Gate. Rock and folk downstairs, soul and jazz upstairs. Worth investigating as their stock is surprisingly varied and good quality for RTE. 

Honest Jon's - 278 Portobello Road, London, W10 5TE
The vast majority of the vinyl here is new pressings - the store specialises in soul, reggae and jazz. 

The best shop for old vinyl in Portobello is downstairs at Rough Trade on Talbot Road.
There are also several market stalls selling second hand vinyl of variable quality under the Westway flyover.  

BRIGHTON
Lots of choice in Brighton, but these are the ones I have been to, bearing in mind I am looking for second-hand vinyl.

Across The Tracks - 110 Gloucester Road, Brighton BN1 4AF
A very good selection and reasonable pricing, here's a link:

https://www.yelp.co.uk/biz/across-the-tracks-brighton


The Record Album - 8 Terminus Road, BN1 3PD
Tucked away behind the railway station, this has a good selection, with a special section on music from the shows. Pricing was a bit steep, I thought.
https://www.yelp.co.uk/biz/record-album-brighton


Wax Factor - 24 Trafalgar Street, BN1 4ED
Another one with a good selection for those looking at original second-hand vinyl
https://www.yelp.co.uk/biz/wax-factor-brighton



MANCHESTER
Empire Exchange - 1 Newton Street, Manchester M1 1HW
http://www.recordshopcity.co.uk/the-shops/empire-exchange

Vinyl Revival - 5 Hilton Street, Manchester, M4 1LP

KIngbee Records - 519 Wilbraham Rd, Chorlton-cum-Hardy, Manchester M21 0UF
http://www.kingbeerecords.co.uk/


CARDIFF

Spillers -
31, The Morgan Arcade, Cardiff, CF10 1AFA long-established oasis for record collectors. I first went there in the 1980s to buy a CD copy of Todd Rundgren's 'Todd' for £4.  http://www.spillersrecords.co.uk/


NEW YORK CITY

East Village, two shops worth visiting:
Good Records – 218 East 5th Street, New York, NY 10003
Gimme Gimme – 345 E. 5th St. New York, NY 10003

HONG KONG
There are two good second-hand vinyl shops in Central district. One is on Cochrane Street at the junction with Lyndhurst Terrace, just down from the Lush store. You can see it from the escalator. It's called Wall of Sound. It's up 3 flights of stairs. 

The other store is at 74 Stanley Street, opposite the street food vendors, on the second floor. It's called Classic Shop and also sells hi-fi gear.

There's also a second-hand book and CD shop, Collectables, recently relocated to City Hall in Central. which has a lot of second hand vinyl, not very well categorised, overpriced and poor quality for much of the stock. 

Old Sound Collection (13F, Sino Centre, 582 Nathan Road) has boxes of vinyl, loosely ordered but worth a browse. The owner will normally give you a good discount for multiple purchases. 

In the same building, there are two or three other vinyl record shops. Check the shop listings board on the ground floor.

White Noise Records (1F, 720 Shanghai Street, Prince Edward) has a mix of new and used vinyl, with good selection of Jazz, Prog Rock and Indie. 

Shun Cheong Record Showroom (8th Floor, Wing Lung Bank Centre, 636 Nathan Road) has only new vinyl but a very extensive selection, including Mobile Fidelity and other high quality pressings at reasonable prices. They also have a store just off Queens Rd in central.

NEW  ZEALAND
Real Groovy - 438 Queen Street, Auckland
Auckland may be a bit out of your way, but if you are in the city and looking for a top class vinyl emporium, you would be hard-pressed to find a better one anywhere. All the vinyl is well categorised, with sale items separated from quality and collectable items. Very good pricing policy and an additional 10% discount for every NZ$200 you spend. 

In Wellington, check out Slow Boat Records (183 Cuba Street), who have a good stock of classic and collectible vinyl. Of course, you don't need to be in NZ to check them out. Both these NZ stores have good websites where you can browse their stock.

AUSTRALIA
Sydney 
Mojo Music - 73 York Street (near Wynyard Station)
This store has second hand vinyl only and a club in the basement playing vintage records. It is well worth a visit as they have a good selection of jazz, blues, funk and soul, as well as many good quality rock rareties. 

Red Eye Records - 143 York Street (behind the QVB)
Here you will find a mix of new and used vinyl - a wide selection including bootlegs. Not the cheapest place but worth visiting if you are also interested in unofficial live DVDs.

JAPAN
Tokyo

I have found many amazing rare bootlegs in the shops around the Nishi-Shinjuku area of Tokyo. Shops such as Back Trip, Airs and Shinjuku Records. This blog page has a comprehensive guide to record shops in the city. 
http://www.vinylrecordcollector.net/2012_11_01_archive.html 

And here's a recent recommended vinyl stores list from the Discogs blog:
https://blog.discogs.com/en/best-record-stores-tokyo/

Saturday, 21 January 2012

It's a Drive-In Saturday

This advert for his 1973 single 'Drive-in Saturday' plays on Bowie's other-worldly persona; a cleverly cultivated image that had boosted his rocketship to stardom after three years of obscurity following Space Oddity in 1969. 

The image was a perfect complement to the music. David Bowie really was the rock hero from another planet for many of his teenage fans in 1972 and '73. His words and music sparked the imagination of a new generation of pop fans. 

The images from this period show an artist taking the early stylings of Glam Rock, which he helped to initiate, to a whole different level. 

The front cover of the Ziggy Stardust album plays up the other-worldliness perfectly, as if Bowie had just fallen to earth.  

Drive-in Saturday
is one of the stand-out tracks on the follow-up album, Aladdin Sane and, for some fans it is one of Bowie's greatest songs. 


Its setting is a futuristic world where people have forgotten how to make love. When he played the song live, soon after he wrote it, Bowie said, "This is after a catastrophe of some kind, and people are living on the streets and some people are living in domes, and they borrow from one another and try to learn how to pick up the pieces." 

Also on this blog:
The Day Bowie Died

1970 - Bowie in obscurity. Mick Ronson joins Michael Chapman
G to